Next month I’m off to Budapest for a weekend break. Very excited!
I’ve already picked up a copy of Imre Kerteszis Nobel Prize-winning Fateless, but was interested in what other Hungarian Literature (or at least books set in Hungary) were out there. A Google search didn’t actually turn up very much, so I turned to the bookish brains on Twitter to help me out, and wow what a great response I got!
Life Is A Dream, Gyula Krudy
Life is a Dream (1931) is Gyula Krudy’s magical collection of ten short stories. Creating a world where editors shoot themselves after a hard day’s brunching, men attend duels incognito and lovers fall out over salad dressing, Life is a Dream is a comic, nostalgic, romantic and erotic glimpse into the Hungary of the early twentieth century. Focussing on the poor and dispossessed, these tales of love, food, death and sex are ironic and wise about the human condition and the futility of life, and display fully Krudy’s wit and mastery of the form.
My Happy Days In Hell, Gyorgy Faludy
My Happy Days in Hell (1962) is Gyorgy Faludy’s grimly beautiful autobiography of his battle to survive tyranny and oppression. Fleeing Hungary in 1938 as the German army approaches, acclaimed poet Faludy journeys to Paris, where he finds a lover but merely a cursory asylum. When the French capitulate to the Nazis, Faludy travels to North Africa, then on to America, where he volunteers for military service. Missing his homeland and determined to do the right thing, he returns – only to be imprisoned, tortured, and slowly starved, eventually becoming one of only twenty-one survivors of his camp.
Then Stu from Winstonsdad’s Blog suggested;
Skylark, by Dezso Kosztolanyi
It is 1900, give or take a few years. The Vajkays-call them Mother and Father-live in Sárszeg, a dead-end burg in the provincial heart of the Austro-Hungarian Empire. Father retired some years ago to devote his days to genealogical research and quaint questions of heraldry. Mother keeps house. Both are utterly enthralled with their daughter, Skylark. Unintelligent, unimaginative, unattractive, and unmarried, Skylark cooks and sews for her parents and anchors the unremitting tedium of their lives. Now Skylark is going away, for only a week it’s true, but a week that yawns endlessly for her parents. What will they do? Before they know it, they are eating at restaurants, reconnecting with old friends, attending the theater. And this just a prelude to Father’s night out at the Panther Club, about which the less said the better. Drunk, in the light of dawn, Father surprises himself and Mother with his true, buried, unspeakable feelings about Skylark. Then, Skylark is back. Is there a world elsewhere, beyond life’s daily monotonous grind and creeping disappointment? Not only for Mother and Father, but for Skylark, too? This question is unanswerable, but the crystalline prose, perfect comic timing, and profound human sympathy that make Dezso Kosztolányi one of the masters of European literature conjure up a tantalizing beauty that lies on the far side of the irredeemably ordinary. To that extent, Skylark is nothing less than a magical book.
In Sándor Márai’s Embers, two old men, once the best of friends, meet after a 41-year break in their relationship. They dine together, taking the same places at the table that they had assumed on the last meal they shared, then sit beside each other in front of a dying fire, one of them near-silent, the other one, his host, slowly and deliberately tracing the course of their dead friendship. This sensitive, long-considered elaboration of one man’s lifelong grievance is as gripping as any adventure story, and explains why Maáai’s forgotten 1942 masterpiece is being compared with the work of Thomas Mann.
Carnelian Valley tweeted;
The Ninth Circle, by Alex Bell
A man comes round on the floor of a shabby flat in the middle of Budapest. His head is glued to the floorboards with his own blood. There’s a fortune in cash on the kitchen table. And he has no idea where, or who, he is. He can do extraordinary things – speak any number of languages fluently, go three days without food or sleep, and fight with extraordinary prowess. But without a name, without a past, he’s isolated from the rest of the world; a stranger to everyone, including himself – until a chance encounter with a young scholar leads to his first friendship, and his first hint that someone out there knows more about him than he does. Someone is sending him clues about his past. Photographs hidden in books and crates of wine. Cryptic clues pointing towards a murdered woman. And clear warnings against Stephomi, his only friend. But that’s not all; Gabriel Antaeus is seeing strange, impossible things: a burning man is stalking his dreams and haunting his mirrors, his dreams are filled with violence from the past, and his pregnant young neighbour is surrounded by an extraordinary golden aura. Something dark and violent in Gabriel’s past is trying to resurface. And as he pieces the clues together, everything points towards an astounding war between angels and demons . . . and a battle not just for the future of the world, but for the minds and souls of everyone in it.
The Door by Magda Szabo
A young writer, struggling for success, employs an elderly woman called Emerence to be her housekeeper.From their first encounter it is clear that Emerence is no ordinary maid.Although everyone in the neighbourhood knows and respects her, no one knows anything about her private life or has ever crossed her threshold. Only a great drama in the writer’s life prompts Emerence to unveil glimpses of her traumatic past – a past which sheds light on her peculiar behaviour. The Door brilliantly evokes the development of the bond between these two very different women, and the tragic ending to their relationship.
Journey by Moonlight, by Antal Szerb
Two cousins spend an adventurous summer on a ranch on the Hungarian plains.